Subtitled in SerbianKada je crveno postalo zlo?Diva KimazijaTranslated by Anica JevtovicReviewed by Una Kavazović
Subtitled in SerbianLoše knjige su zapravo dobreHelena ValvurTranslated by Anica JevtovicReviewed by Una Kavazović
Subtitled in SerbianKreativnost nije talenat — već navikaRejčel AjrinTranslated by Anica JevtovicReviewed by Una Kavazović
Subtitled in SerbianKreirajući budućnost: Zašto bi škole morale da uče decu kreativnostiDefne BeliktajTranslated by Anica JevtovicReviewed by Una Kavazović
Subtitled in SerbianZašto Evropa nikada nije zaostajala u AI-ju?Aleksander Velvart-LauterburgTranslated by Anica JevtovicReviewed by Una Kavazović
Subtitled in SerbianFrankenštajnova zaostavština: Istrajnost Meri ŠeliLorens KonoliTranslated by Anica JevtovicReviewed by Una Kavazović
Subtitled in SerbianObrazovanje, čovek i društvodr Jusuf Abdu JusufTranslated by Anica JevtovicReviewed by Aleksandra Mladenović
Subtitled in Serbian8:17How Did Female Medieval Writers Find Freedom in Confinement?Carolina JuliusTranslated by Anica JevtovicReviewed by Una Kavazović
Subtitled in SerbianZašto je književnost još uvek bitnaEndru KoulTranslated by Anica JevtovicReviewed by Veralise Perunovic
Subtitled in SerbianDa li je grčka tragedija pisana za žene?Loti Kliton-RobertsTranslated by Anica JevtovicReviewed by Una Kavazović
Subtitled in SerbianUmetnost istinskog međusobnog prepoznavanjaDžošua KumbsTranslated by Anica JevtovicReviewed by Una Kavazović