艺术家Eric Dyer常年坐在电脑前，制作荧幕影像。出于对重新开始工作的渴望，他开始了对西洋镜的探究。这是一种19世纪流行的设备，早在电影到来之前就被用来创造运动的幻觉。在这场充满活力的演讲中，他展示了他的艺术发明：旋转的雕塑及其唤起的美丽而梦幻的景象。(警告:本演讲内含闪烁的图像和灯光。光敏患者或感光性癫痫发作者请勿观看）

被遗忘的西洋镜艺术

Returning to the physical roots of animation, one artist reinvented the zoetrope, transforming printed strips and bicycle wheels into spinning sculptures. By building immersive tunnels and intricate devices, he breathed new life into motion art, even as vision loss reshaped his creative journey. His projects fostered a deeper connection with family, memory, and the world outdoors, blending invention with reflection on what it means to see. At the heart of his work lies a celebration of tactile play as an enduring necessity.